First Sesame Street, now CoComelon. Some of children's television's most beloved characters are headed to new streaming services. Felix Gillette writes today about how Warner Bros. Discovery's pullback from the genre is driving the changes, and what might be next. Plus: Meta's CEO goes MAGA, global business school leaders back Harvard, and a Japanese-style barbecue sauce catches on. If this email was forwarded to you, click here to sign up. A few years ago, when media mogul David Zaslav pondered the future of home entertainment in the streaming era, he sometimes invoked the metaphor of a treacherous lake. Most traditional media companies, he liked to say, were marooned on the wrong side, gazing enviously over the roiling water to the far banks where Netflix Inc. and Walt Disney Co. were already setting up shop. One day in 2021, Zaslav, then the chief executive officer of Discovery Inc., spun this metaphor to John Stankey, the CEO of AT&T Inc. At the time, the telecom company owned WarnerMedia, an entertainment conglomerate that included the cable networks CNN, HBO and Cartoon Network. If they combined forces, Zaslav told Stankey, they could successfully cross the dangerous expanse while rivals sputtered and drowned. So began a $43 billion merger. Zaslav became CEO of the new company, Warner Bros. Discovery Inc., in 2022 and started paddling furiously toward the streaming promised land. Zaslav. Photographer: David Paul Morris/Bloomberg Not everything has survived the choppy crossing. Over the past three years, the company has occasionally had to do away with provisions no longer deemed essential—saying goodbye to NBA rights, a nearly completed Batgirl movie and a handful of video-game studios. Most recently, the company revealed another surprising sacrifice: It would be scaling back its streaming ambitions for kids. At some level, it's a shocking development (albeit, one that's been mostly overshadowed by Zaslav's tragicomic rebranding of the once-and-future HBO Max). For decades, Warner Bros. has been a major force in home entertainment for children, thanks to a rich collection of assets, including Cartoon Network, Cartoon Network Studios, Warner Bros. Animation and one of the largest cartoon collections on the planet that's chock-full of Looney Tunes and Hanna-Barbera classics. If they can't make it work in streaming, who can? YouTube has mostly dominated the field, given its ever-expanding galaxy of low-cost kids programming. This advantage is likely to grow in the short term because of startups such as Toonstar, which uses artificial intelligence to slash the time and cost of making inexpensive animation. A lot of parents, though, remain deeply wary of overexposing their impressionable offspring to YouTube's sometimes sketchy algorithms, and they would be happy to reward whatever streaming service can offer a bounty of engaging kids shows minus the flat-earth videos. With HBO Max backing away from children's shows and Paramount Global—home to Nickelodeon—tied up in a politically fraught merger, the moment feels ripe for others to pounce. Enter Netflix and Disney. Both companies are already nibbling on castoffs of Warner Bros.. Last week, Netflix announced a deal to air Sesame Street, the venerable kids series that had previously streamed on Max. At the same time, it debuted new episodes of Peppa Pig, a series popular with preschoolers, and revealed that it would be making video games for kids based on both properties. That's a new wrinkle, which if it works (a big if) could give Netflix a competitive edge with youngsters. Meanwhile, Disney is circling. Last week, Cartoon Network announced that after a long hiatus its beloved characters Gumball and Darwin would be returning in 2025 in a show called The Wonderfully Weird World of Gumball. The twist—in the US, the much-anticipated reboot won't be appearing on Zaslav's newly refashioned HBO Max. Instead, it will debut on Disney's Hulu, which in recent years has been strategically positioning itself as the streaming home of old Cartoon Network series. In my house, Gumball is a big deal. By dinner time on the day of the announcement, I was watching a new Gumball teaser with my sons and, soon enough, being badgered to resubscribe to Hulu. In another sign of how cutthroat the children's TV market is becoming, Bloomberg News reported over the weekend that Disney swiped the streaming rights for CoComelon, one of the most-popular kids' programs in the world for almost a decade, from Netflix. Starting in 2027, Disney+ will have every season available. So what else might shake loose from Warner Bros. cupboards? Rumors have circulated that Zaslav might be looking to sell the entire Looney Tunes brand. To date, the company has declined to comment on the speculation. But a sense of opportunity is in the air. Almost three-and-a-half decades ago, the entrepreneur Ted Turner paid $320 million (roughly $754 million in today's value, accounting for inflation) to buy Hanna-Barbera's deep library of cartoons—shows that ruled the age of broadcast television—and repurposed them to launch an entirely new kids-programming brand for the cable era. Cartoon Network flourished, eventually throwing off hundreds of millions of dollars in annual profits. Kids programming in the streaming age may feel like a sinking market right now. But as any treasure hunter will tell you, one person's shipwreck is eventually another person's golden opportunity to scavenge. |