| April 12, 2025 
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Sixty years ago this week, Brooklyn hosted perhaps the most famous jazz gig in the borough's history — and what made it fascinating was the relationship between two of the musicians onstage, the trumpeters Freddie Hubbard and Lee Morgan. The pair were the same age, 27, "though each was at his own crossroads," Jeffrey McMillan writes in a recounting of the two-evening event known as the Night of the Cookers, featuring voices who were there, including the saxophonist and flutist James Spaulding, now 87, and Patricia Hayes, who helped put on the shows at the social club La Marchal. Hubbard and Morgan were frenemies, and the music (captured by an engineer named Orville O'Brien and later released on Blue Note) was electric. Pulp, Stereolab and Turnstile returned with long-awaited new music this week (Pulp is previewing its first album since 2001, and Stereolab its first in 15 years!), and Jon Pareles also took a tour through Sleigh Bells' catalog — and groups that inspired and followed them — as the duo released its latest LP. (Their blend of the super loud and super poppy has always been extremely Ganzcore). Jon and Lindsay Zoladz had a conversation about two new opportunities to reassess the career of Yoko Ono, asking "Is the Yokossance Finally Here?" And we said goodbye to Blondie's drummer, Clem Burke, and the cartoonist and music writer John Peck, whose Providence, R.I. poster has hung on the wall of my various apartments since the mid-90s. | BOOKS, THEATER AND MOVIES | | | | |
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